The album was produced by John Shanks, known for his work with Michelle Branch, The Corrs, Sheryl Crow, and Stevie Nicks, and it's likely no coincidence that Shanks was hired based on those credits, since it clearly aims to establish Woodward as an artist with an appeal that falls somewhere between Branch and Crow.
Like Branch, Woodward may be relatively young, but she's no newcomer to music....
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